God alone knows what part this woman plays in the whole affair – she basically just appears in the intro sequence. Mysterious. If you’re a Sega loyalist or even just a computer games fan in general, it’s likely that you already know a fair bit about young Ryo Hazuki and his quest to avenge his father’s death. If you don’t, well – where have you been? Previews and screenshots have been popping up online and in mags for months now, as Shenmue goes for ‘most anticipated title’ honours. What, you want a plot outline?
Well, OK then, but this is absolutely the last time. You are Ryo Hazuki, and you live with your father Iwao, mother-figure/home help Ine-san, and your Dad’s only student, Fuku-san. Your Dad teaches a family style of jujitsu, which makes it all the more surprising when you come home one day to find some Chinese bloke kicking his arse. The man demands that Iwao give him the Dragon Mirror, whatever that is, but when he gets it he kills Dad anyway. Bastard. From here on in it’s your task to explore your local surroundings, looking for clues that will lead you to your father’s murder. You wake up every day at 8:30 sharp, pick up the 100 yen daily allowance Ine-san has kindly left for you, and head out into the astonishingly detailed world of Japan, 1986. Every so often some thug will chance his luck, and you get the chance to take him apart with surgical precision.
Nice. The plot is surprisingly linear considering how much emphasis has been placed on the free form nature of the game. There are indeed literally hundreds of independent Non Player Characters (NPCs) wandering about, opening their shops, chatting to you and each other, and generally being autonomous to an almost scary degree. However, at any one point in the game you will always ask exactly the same question of everyone you meet (« Did you see a black car the night of my father’s death? »), and usually get an almost identical response. Source: disneymagickingdomscheat.com
Sooner or later you’ll hit upon the right person, who’ll give you the next plot point, and then you ask about that until you find someone with appropriate information. All the people you speak to are beautifully detailed, particularly the faces which are bursting with character, but unfortunately it sounds like the same man and woman have voiced every single one of them, just putting on odd accents. Not good. Equally, if you don’t talk to every single person at every single plot point, you’ll have some disturbingly large gaps in that ubiquitous notebook of yours.
Oh yeah, and the control system’s clumsy. But wait! Why are we being so hard on it if it’s supposed to be so gosh-darned great? Well, despite the negative points, it’s probably the most addictive game you’ll play all year. Whatever that secret factor in games is that makes you think « just a little while longer… » is present here in spades. The ground-breaking graphics aside, it’s the realistic story-line that will keep you up ’til the wee hours. As huge as Shenmue is, it’s also the equivalent of the first movie in a trilogy. Oh yes, there’s plenty more to come…
With the impending launch of PlayStation 4 (and the Xbox and Gamecube coming right behind), the console war to end all console wars appears to be on the horizon. How are gamers with limited pocketbooks going to get through this war with their wallets intact? G-4RCE has a few simple suggestions that will help next-generation gamers survive the upcoming console war without putting their favorite stuff in hock.
Sure, it’s a great game, but won’t it still be great when it’s $19.99?
Rule 1: Never buy a console before the first series of reduced-price games come out.
Repeat after us: There is nothing wrong with the ugly green stripe that adorns the PlayStation’s Greatest Hits releases. Maybe if you keep saying it, you’ll start to believe it. Let’s face it, it doesn’t make economic sense to buy a game at full retail price when the exact same game will be available later for much less. Spending less money per game means that you’ll have more games. Besides, by waiting for the Greatest Hits games to come out, you’ll inevitably get the console for less, too, which brings us to:
Rule 2: For goodness sake, don’t, DON’T buy consoles at release!
This is good news for PS4 fanatics who haven’t pre-ordered (and, likely, even some who have). Historically, early adopters have learned a painful lesson. Many consoles have undergone price restructuring less than a year after launch. With the increased level of competition due to the staggered nature of the upcoming launches, expect price drops to come sooner and be more severe. Think of the poor saps that bought the N64 at full price.
Don’t run the risk of running into launch-related trouble. Remember Sonic Adventure? More than one early Dreamcast adopter couldn’t get defective copies of Sonic replaced and were left with NOTHING to play. Waiting ensures that the games (as well as the hardware) have been field-tested… speaking of which, you should always:
Rule 3: Try before you buy.
Seek and discover demo disks. Demo disks provide a taste of several games at the cost of a single game’s rental. How many levels of Tony Hawk’s Pro Skater need to be played before it’s obvious that the game is worth the purchase price? If you’re going to be buying more than one issue of a magazine for the bundled demo disk, subscribe! Save big money by not paying the newsstand price.
Then, when the demo disk is spent, trade with friends for other demo disks. Don’t have any friends? There’s always rental, right? But if you don’t have any friends, then consider…
Rule 4: Don’t pick up a third and fourth controller (or in Sony’s case, multitaps).
Save $40-60 by not purchasing those two extra controllers. Get them only when there will be a use for them. How often is that fourth controller really going to get used? If you’re going to be hosting multiplayer parties every weekend, ask your friends get their own controllers. If you want to get unlimited resources. Download Plants vs Zombies Heroes cheats. It is easy to use. It might seem kind of creepy, but that way you don’t have to worry if a controller gets broken or trampled, and nobody can ever complain about having the bad controller.
Even if multiplayer is not your thing, there is one other way to get a few free plays in your grubby little hands:
Rule 4: Befriend retail employees.
Most game stores in the mall have demo kiosks where you can play. Use the demo kiosks as your own. But since many of the mall stores have time limits, seek out smaller stores that will give you unlimited access. Find local independent stores that encourage you to come in and play. Find retailers that host tournaments on their in-store machines.
Most independent game stores encourage you to hang around and get to know a game before you pick it up. Thank these retailers for providing for your game habit by giving them your business. Buy your console from an independent retailer, who will remember you. Sell them good games in good condition, and the retailer will praise you, because you should always try to comply with…
So what’s the deal with chicks anyway? They’ll watch Survivor and play board games like Scrabble, but many of them just don’t get the coolness that is video games. What’s not to love about the hot, bone-breakin’ babes in Dead or Alive 2? We may not understand them, but the developers at Oddworld Inhabitants think they’ve got the plan for a game that will appeal to everyone. We recently had a chance to take a close look at Oddworld: Munch’s Oddysee, and from what we saw, this appears to be one of the few must-add games for any growing PS2 collection.
When we spoke to Sherry McKenna and Lorne Lanning, Oddworld Inhabitant’s respective CEO and President, they were adamant that Munch’s Oddysee is going to be the kind of game that not only appeals to the hardcore audience but is going to open the experience up to nontraditional gamers. « What we are trying to do, » said Sherry « is widen the demographic and attract more women. » She was quick to point out that women are often frustrated by the « virtual idiot » phenomenon, that is, the inability to get the character onscreen to do something that would be utterly simple in real life. « We’ve solved the problems that prohibit the nongamer and casual gamer from entering into this experience. And that, of course, will make also make it a fabulous experience for the hardcore gamer. »
To prove the point, Lorne fired up the game, and we were immediately greeted by a spectacular opening movie. Both Lorne and Sherry come from a film background, and that experience was evident in the clip, which was Disneylike in its orchestration and polish. Through the voiceover of the rather odd little Munch, we learn that he is the last of his aquatic species known as Gabbits, done in by overfishing for their precious « Gabbiar. » Although it wasn’t evident immediately, it’s little touches like the references to caviar, consumer products and vending machines that give Munch’s Oddysee a cool sort anti-consumerist edge just beneath surface of a quirky adventure game.
But we’re not ignoring those surfaces either. The in-game graphics are spectacular, even at this early stage. Abe is nicely animated, with all the familiar jumping, sliding and tiptoeing that we’ve come to expect from previous visits to his Oddworld. Both the indoor and outdoor environments look almost photo-real in places, and although minor details like realtime shadows weren’t in yet, it was already apparent that Munch’s Oddysee will be a great looking game.
But what about the virtual idiot? It’s no fun stumbling through a gorgeous landscape and falling to our deaths over beautiful vistas. Oddworld Inhabitants think they’ve solved the problem with a camera system that is so intelligent you don’t even know it is there. As players guide Abe or Munch through the world, the camera choreographs in real time. Move behind a ledge, and the camera will suddenly cut to the right angle. Move up some stairs and the camera will subtly lead you, letting you know what to expect as you move along. We were a little concerned that when the camera cuts across the line of movement, players would be disoriented by a new angle and possibly a new direction of movement. But as Lorne moved Abe and Munch around, we could tell that the cuts were not so dramatic that they were disorienting.
The intelligent camera system, however, is only half of the navigation that is patterned over here – a clear Hay Day diamond hack . The developers have included an interesting « repelling » feature that subtly shifts Abe or Munch away from walls or ledges. For example, when running near a wall, a small correction will occur that will keep players on clear path. It won’t be too difficult to run into and interact with the environment, but it shows the kind of attention to detail and seamlessness that is going into the title.
The interaction with the world is not only going to be easier but more creative than ever. Sherry particularly seemed interested in exploring new ways of getting through the game without resorting to railguns and rocket launchers. « When Lorne and I formed this company, » she explains, « I said, ‘I’m not going to make games where you have to kill people. Gratuitous violence for its own sake? Forget it. I’m not going to do it.' »
So does that commitment to video game pacifism result in a bland story of goody-goody friendship making? Not at all. At one point, Abe–who can possess organic creatures– took control of the body of a Sleek, one of the bad guys, and rumbled out into a room. He pulled out a massive machine gun that didn’t shoot bullets, but shot cans of fictional soda. The cans sprayed out of the gun, and the camera switched to cover each of the victims as they got pummeled. But as the Sleeks got mowed down, a can of soda got stuck in each of their mouths, turning them into a new consumer of that soda and one of Abe’s new « wage slaves. »
In another instance, Munch — who can possess machines — took control of an enormous crane inside a warehouse. Beneath the cranes were some patrolling Sleeks and a few Slogs in their pens. By using the dual-shock pad, Lorne was able to control the crane, reach down and grab a Sleek, lift him up, and then drop him down him to his doom in a Slog pen. It wasn’t exactly nonviolent, but it was a novel solution to an interesting problem.
What was also interesting about the crane solution was the integrated use of sound in the gameplay. As the crane loomed over a Slog, an audible signal began to ring to let players know when to reach down and grab one of the poor bastards. But the music would also change dynamically during different situations. Whenever one of the characters Abe possessed would pick up a gun, the soundtrack would throb to life. Likewise, when Abe got the factory workers to bring it to life, the music began to pick up the beat, and a new melody kicked in.
That kind of attention shows a commitment not so much to detail for its own sake but to the craft of storytelling as an absorbing experience. So far, it looks like the game is packed with humor, color and creativity. Because of the learning curve needed to work with the complicated PS2, and because Infogrames wants more of an install base, Munch won’t be getting out of the water until late Spring 2001. While we wish we could get our hands on it for our spanking new PS2s, this is clearly one worth waiting for.